Many people can misconstrue loneliness as a lack of attention from a desired person or group, and in Sy’s case, the Yorkins’ indifference is as good as rejection. Even at Sy’s darkest and most detached moments, Yoshi still appreciates Sy’s talents and the lessons he’s learned from him. Despite this, he fails to see that there are people in his life who care for him, such as his assistant in the photo department, the young and curious Yoshi Araki. In addition to his precious Yorkins, Sy looks to any and all parts of his life for some sort of place where he fits in. The prevailing theme throughout this fever dream of Sy’s thoughts is acceptance. This use of technical differentiation does little to clear up the dream world and the real world, as it should, helping to build tension and keep the plot unpredictable. Rarely are Sy and any member of the Yorkins shown together, a reminder of the immense distance between his dream and reality. When Sy interacts with the Yorkins in real life, it is often in a shot-reverse style. The only minor change between these scenes is an increased use of tracking shots. Many times we find ourselves transitioned into Sy’s dream life, where the Yorkins love him unconditionally, only to be snapped back to his tragic reality. “One Hour Photo” is actually at a disadvantage here, only being able to utilize practical and digital effects, without the use of sketching and illustrating the colorful and expansive words that Kon’s manga background affords him. Will, Nina and young Jake become the subjects of Sy’s every waking thought, in which he portrays himself as the beloved “Uncle Sy.”Following their lives through pictures (even saving his favorites for his private collection), Sy’s interest derails into obsession as he desperately tries to connect with a family he was never a part of.Ĭonstantly blurring the lines between thought and reality, “One Hour Photo”draws comparisons to Satoshi Kon’s “ Perfect Blue ”(1997). Though he appreciates the lives of all his customers, none catch his eye quite like the seemingly ideal Yorkin family. “One Hour Photo”revolves around Sy Parrish, played by Robin Williams, an employee at a pseudo-Walmart establishment working in their photo development wing, priding himself on his often-ignored work. Mark Romanek’s 2002 psychological thriller ties in delusions of grandeur and a man’s attempts to make them a reality. Another way is to live vicariously through the lives of others that we perceive as “perfect.” In “ One Hour Photo,” this desire to escape reality is taken to the extreme, showcasing how deluded one person can become in the pursuit of inner peace. Some simply choose to relax with television or writing, while others may take the more precarious route of drugs and alcohol. In a world that can often be dreary, there are many things we can do to escape and find some sort of peace.
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